![]() Listed chronologically by genesis in this table are all Beethoven’s extant piano sonatas and sonatinas. Here is an informative table that I would like to discuss further below: But, alas, the situation for Beethoven’s piano sonatas is unfortunately not especially rosy. If the autograph is extant, and present are perhaps still other manuscript sources – for example, the engraver’s models for the first print, proofread by the composer himself, – then the goal of a secure music text is clearly a step closer. The composition’s music text is then available for the edition only in a more or less error-prone state. See here for general info on the magnificent Prunksaal and how best to reach it.Editing a Beethoven work solely on the basis of a first print greatly challenges every editor of a scholarly edition. But the State Hall is reached from around the side on a majestic square within the Hofburg complex. The National Library is in the Neue Burg building on Heldenplatz. There is no extra fee for this special exhibition – just buy a normal entrance ticket or use, for example, a Vienna Pass ( my review). Remember that the handwritten extracts from Beethoven’s Ninth Symphony go back to Berlin early. The exhibition runs from December 19th, 2019 to January 10th, 2021. (Incidentally, the 2020/2021 exhibition at the Mozarthaus is on the triumvirate of Haydn, Mozart and Beethoven that defined the classical music of the time.) Dates and tickets He underlined “the spirit of Mozart through the hands of Haydn”. The exhibition has that very album, open to the page where Count Waldstein wrote those far-sighted words. Through assiduous labour, you will receive the spirit of Mozart through the hands of Haydn (Translation from the German) One of the most poignant quotes concerning the great composer (or any composer for that matter) is the following from Count Ferdinand Waldstein, written in an album of good wishes given to Beethoven in 1792 on his departure from Bonn for Vienna: NB The copyist who inserted 3 and 6 here was a donkeyīut the words that left the greatest impression were written by a hand other than Beethoven’s. And on the Spring Sonata we see the delightful addendum: I enjoyed, for example, his note complaining that the post office can’t seem to read the addresses he puts on letters. There is something peculiarly magical about seeing Beethoven’s own handwriting, particularly where he has corrected music, added some pithy comment to a manuscript, or revealed his somewhat irascible character. ![]() Other highlights includes various letters written by Beethoven to colleagues, students, sponsors and others that dispel the myth that he was a lone wolf. The Spring Sonata ( Frühlingssonate) in F Major Op.61, which premiered at the Theater an der Wien in 1806 ![]() The Ninth Symphony (on loan for the first three months of the exhibition from the Berlin State Library).“Original documents” sounds fairly bland and uninspiring until you realise what this innocent description means.įor starters, it includes Beethoven’s autograph manuscripts (or excerpts from them) for such classical masterpieces as: World of the Man and Spark of the Gods) presents original documents from the archives that offer a direct connection to the great man. Menschenwelt und Götterfunke (English: Beethoven. The library’s Prunksaal is an astonishing early 18th-century court library, but this special exhibition might even outdo the glorious surrounds.īeethoven. ![]() The same can be said of Beethoven, particularly in 2020, when the city dedicates itself to the music and memory of this legendary composer.Īmong the various Beethoven events and exhibitions is the one in the State Hall of Austria’s National Library. Musical giants of the past like Mozart and Haydn remain very much alive in the city, thanks to various museums, monuments and concerts. (The entrance to the state hall of the National Library)īreathe in deeply in Vienna and your lungs will fill with the strains of a thousand sonatas and symphonies.
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